
Hangar venue for a client evening
We arrived at 1:30 PM and had the station ready by 4:30 PM for a 6 PM client evening. Read about the flight simulator night at Hangar 21.
480+ corporate events · 5 years
Hire an event production company that builds your room, runs the show and clears the floor afterwards. Before your doors open, every speaker, screen and station is tested, and a technician stays with it until the last guest leaves.

Three different rooms, each with its own power, access and timing problem we solved before guests arrived.
Production turns a plan on paper into a room that works: you hear the speaker, see the screen and the program starts on time.
A full service event production company handles the technical side of your event:
You might need general session production for a conference or one small stage at a party. Either way, you call one team instead of a stage company, a lighting production company and a sound crew.
You deal with one crew from load-in to teardown, so nothing falls between vendors.
We're a corporate event production company with a fleet of our own: racing, flight and surf simulators, VR stations and AI photo booths, plus QSC sound. The fleet works from two bases: Los Angeles and Orlando, where we run an office and a warehouse at 310 N Orange Ave.
The technician who wires the room also knows how every station draws power and where the lines will form. The same people build it, run it and pack it up.


One contract covers equipment, crew and timing, and you get one person to call on the day.
You see the full cost of your production in one quote before you sign anything. Each event gets a custom quote. There's no price list, because a seated talk and a five-station outdoor party need different crews.
Each case shows the timing we worked to and what we built for it.
Your venue clears our crew before load-in, so the first hour goes to building, not paperwork.
We send insurance documents to venues and organizers on request. We've met insurance and access rules for an office tower, an airfield-side hangar and a studio lot. Many venues have in-house AV or union crews, and production teams are expected to meet those rules. Tell us your venue, and we'll check its requirements first.
A live failure usually traces back to a check nobody did. Here's what each one costs you and how we prevent it.
No sound check.
The first speaker can't be heard at the back. We check every mic and zone before guests sit down.
Power found on the day.
Stations and speakers share one circuit and trip it. We map power with the venue in advance.
Weak venue internet.
Photo booths and live leaderboards stall. We bring a backup hotspot, as we did in Morrisville.
Too many vendors.
Sound, stage and activities each send a crew, and nobody owns the timeline. Our one team does.
Late load-in.
Without a dock slot or a freight elevator booking, setup starts late. We book access early.
Each step has an owner and a date, so you always know where the production stands.

Each role has one job on the day, and you know who to ask.
Need more people on the floor, such as greeters or registration staff? Our event staffing service adds them to the same crew, under the same producer.
The crew that tests your setup is the crew that runs it, in any state.
Two bases
We work across the U.S., from the West Coast to Florida and the East Coast. We also produce for convention-center shows, such as IAAPA Expo or the PGA Show at the Orange County Convention Center (OCCC) in Orlando. Send the city and the venue, and we'll plan the trip.
Orlando office: 310 N Orange Ave, STE. 201, Orlando, FL 32801It's the team that builds and runs the technical side of your event: sound, screens, stage, lighting, power and the schedule. We also bring and run interactive stations.
Not quite. An event management company plans the whole event: venue, budget, guest list and agenda. Production builds and runs the technical side. We do both, so one team owns the plan and the show.
Each event gets a custom quote. It depends on gear, crew size, hours, venue rules and city. The quote section above lists what shapes it.
Yes, anywhere in the U.S. Our crew travels to your venue.
Yes. We cover sound, mics and screens for keynotes and seated sessions.
Ask each one who runs the show on the day, whether they own the equipment and how they test before doors open.
Yes. We plan around the venue's AV and union rules and agree who supplies what before load-in.
Both. We plan the production, and our own crew builds and runs it.
For most corporate events, 60 to 90 days is a good lead time. Large conferences need more. Shorter timelines can work; ask about your date.
Send the date and the venue. We'll reply right away with what your room needs, and one crew will build it, run it and take it down. Tell us the event type, date, city, venue, expected guest count and budget. Add what the room needs: stage, sound, screens or interactive stations. Or call +1 213 912 1010